布呂爾 1891 - 1976 巴黎
0 – 0 USD
Max Ernst was a central figure European Dada and Surrealism. His œuvre manifests a confluence of the formal possibilities of collage and a fascination with psychology and the unconscious.

Ernst undertook wide-ranging compositional and technical experimentations to help him in the Surrealist quest for the beauty in the irrational. He notably invented frottage, grattage and oscillations which represented breakthroughs for ‘automatism’, a Surrealist concern for freeing the creative process by accessing the unconscious.

展開閱讀 Read less
Selected artworks

Top 3 auction prices

11,002,735 $
15,987,500 $
16,322,500 $
Books on Max Ernst

Nicholas Hall, Dawn Ades, Olivier Berggruen and J. Patrice Marandel, Endless Enigma: Eight Centuries of Fantastic Art, exh. cat. New York, 2019.

Werner Spies and Julia Drost, Max Ernst: Retrospective, exh. cat. Ostfildern, 2013.

Ralph Ubl, Prehistoric Future: Max Ernst and the Return of Painting between the Wars, transl. Elizabeth Tucker, Chicago, 2013.

Werner Spies and Sabine Rewald, eds., Max Ernst: A Retrospective, exh. cat. New York, 2005.

Jürgen Pech, Plastische Werke, Cologne, 2005.

Guido Magnaguagno and Juri Steiner, eds., Arnold Böcklin, Giorgio de Chirico, Max Ernst, exh. cat. Bern, 1997.

William A. Camfield, Max Ernst: Dada and the Dawn of Surrealism, exh. cat. New York, 1993.

Werner Spies, ed., Max Ernst: A Retrospective, exh. cat. London, 1991.

Werner Spies, Max Ernst: Frottagen, transl. Joseph M. Bernstein, London, 1986.

Werner Spies, Max Ernst: Œuvre Katalog, 6 vols. Houston, 1975.

Werner Spies, Max Ernst, Collagen Inventar und Widerspruch, Houston, 1974.

Alfred H. Barr, ed., Fantastic Art, Dada, Surrealism, exh. cat. New York, 1936.

Explore further
You may also like