TEFAF Maastricht 2026

Introducing a study of Artemisia Gentileschi and Lavinia Fontana, art historian Elizabeth Cropper exposes the bias against female artists whose personal lives have been ignored or simplified in view of their artistic accomplishments.

Senior curator at the Museum Rembrandthuis, David de Witt, opens up about his recent visit to Finland for the first ever monographic exhibition of the Monogrammist I.S., an enigmatic painter he had been studying off and on, and admiring steadily, for decades.

The mysterious curse of an Italian scholar and essayist whose very mention is still thought by some to bring iella, Roman slang for “bad luck.”

A moment of existential crisis evoked in a Baroque masterpiece that once lived in Beirut.

Dianne Modestini on the powers and limits of technical imaging.

Stella Rudolph’s long-awaited catalogue raisonné of Carlo Maratti is finally out.

Eric Zafran recounts the fumbled initial attempts of American museums to buy an authentic Caravaggio painting in the first of three provocative articles on Caravaggiomania in the U.S.

Paul Mitchell on the complexities of choosing the right frame.

Jessi Jezewska Stevens sets foot across Switzerland’s famous mountain towns to investigate the legend of pure, alpine air.

A 90-second teaser filmed at the Palazzo Barberini in the months leading up to our 2023 exhibition on Settecento Rome.

‘His enormously long arms and legs would have sat perfectly in a caricature by Pier Leone Ghezzi, whom he revered, while his vague aura of sadness would have done justice to a portrait by his hero Pompeo Batoni.’

A concert set to the hours of the day by Ensemble Astrea.

Jessi Jezewska Stevens on the energy crisis: a brief history of fire and sin.

Daughter of art dealer Richard L. Feigen speaks about the thrills and demands of her formative experience.

Alain Goldrach on the necessity and dangers of cleaning a painting.

An extended topological survey by Jessi Jezewska Stevens.

A gilded impression of Venice by Katy Kelleher.

Getting beneath the surface of Old Master paintings in the studio of Karen Thomas.

‘295’ and other vignettes of Aso O. Tavitian (1940-2020) recollected by David Bull.

Friedrich’s moonlit seascape and other lessons of the sea observed in Hamburg by Jessi Jezewska Stevens.

Theatermaker Elfie Tromp takes us on a wondrous excursion into the new Boijmans Depot.

Keeping up the cultural agenda while we await the 35th edition of TEFAF.

The conceptual artist’s gravity-defying aerobes inspired Lizzie Marx to investigate their connections with the past.

In the wake of Fondation Beyeler’s centennial Goya exhibition, Olivier Berggruen reflects on the ambiguity of the artist’s work.

Wanwan Lei, co-founder of M_WOODS museum in Beijing reconnects with us to chat about their ongoing exhibition of Old Master drawings presented by the British Museum.

Our end-of-the-year market report digs deeper into the numbers behind some top selling Old Master paintings in 2021, as well as discoveries and museum acquisitions.

Nicholas Hall presents a fine Portrait of a Young Lady Holding a Cat, a seductive image painted by Antonio d’Ubertino Verdi, known as Bacchiacca, for this year’s TEFAF – Meet the Expert series.

Randy Reynolds chats with Tova Ossad about preparing for Brexit.

An original study on the market for anonymous 15th and 16th century Flemish paintings, sold between 1946-2015.

Observations from ‘The Medici: Portraits and Politics, 1512–1570’, an exhibition on view at the Metropolitan Museum of Art, New York between 26 June–11 Oct 2021.

Paul Rem selects Interior View of Niewe Kerk, a painting by Pieter Saenredam as one of the top highlights at TEFAF Maastricht 2020.

Scholar of black fashion and visual culture Jonathan M. Square responds to an unusual fragment of a painting by Annibale Carracci.

An exclusive interview with Jasper Sharp, curator of modern and contemporary art at the Kunsthistorisches Museum Vienna and designer Dani Mileo from Tom Postma Design on the making of the Beethoven Moves exhibition.

Ann Demeester, director of the Frans Hals Museum in Haarlem, selects a painting exhibited by Nicholas Hall as one of the best 17th century paintings at TEFAF Maastricht 2019.