We are an art gallery specializing in old master paintings

A 90-second teaser filmed at the Palazzo Barberini in the months leading up to our 2023 exhibition on Settecento Rome.

‘His enormously long arms and legs would have sat perfectly in a caricature by Pier Leone Ghezzi, whom he revered, while his vague aura of sadness would have done justice to a portrait by his hero Pompeo Batoni.’

Jessi Jezewska Stevens on the energy crisis: a brief history of fire and sin.

An introduction to the Anthony M. Clark Archive at the National Gallery of Art Library, Washington D.C.

‘295’ and other vignettes of Aso O. Tavitian (1940-2020) recollected by David Bull.

A concert set to the hours of the day by Ensemble Astrea.

Alain Goldrach on the necessity and dangers of cleaning a painting.

Daughter of art dealer Richard L. Feigen speaks about the thrills and demands of her formative experience.

A report on the Old Master paintings market in 2022 – what sold well and what the world’s first billion dollar auction tell us about collecting old masters.

An extended topological survey by Jessi Jezewska Stevens.

In the wake of Fondation Beyeler’s centennial Goya exhibition, Olivier Berggruen reflects on the ambiguity of the artist’s work.

Scholar of black fashion and visual culture Jonathan M. Square responds to an unusual fragment of a painting by Annibale Carracci.

An original study on the market for anonymous 15th and 16th century Flemish paintings, sold between 1946-2015.

Jessi Jezewska Stevens sets foot across Switzerland’s famous mountain towns to investigate the legend of pure, alpine air.