Theatermaker Elfie Tromp takes us on a wondrous excursion into the new Boijmans Depot.

In the wake of Fondation Beyeler's centennial Goya exhibition, Olivier Berggruen reflects on the ambiguity of Goya’s work – caught between the Age of Enlightenment and a Baudelarian idea of modernity.

Sparked by memories of her visits to Le Marche in central Italy, V&A curator Emily Knight explores the Victorian fascination with Italian Renaissance paintings manifested in the museum's collection.

Inspired by his recent visit to the Art Institute of Chicago, poet Richie Hofmann dedicates his new poem, Jupiter, to a painting by Abraham Janssens.

Taiwan-born Chinese lyricist and producer Yao Chien opens up about his new-found interest in Old Master paintings that began with books.

Uli Sigg presents a witty analysis of what motivates a collector.

Michael Diaz-Griffith and Mary Wang discuss art in the wake of the Black Lives Matter movement.

John Spike recalls dining with one of the greatest collectors of Italian Still Life paintings, Silvano Lodi.